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They are multisensory experiences, they are allegories and morality tales, and they are places where people find community and kinship. Konami Digital Entertainment continues forth the ‘METAL GEAR SOLID V Experience’ with the latest chapter, METAL GEAR SOLID V: The Phantom Pain. Like smartphones, video games have far outgrown their original, narrow definition. Whether you listen to it in combination with the highfalutin talk or not doesn't really matter - the two complement each other almost as well as Al Pacino's speech in Any Given Sunday and Paul Kelly's "Peace," which builds in volume and intensity in perfect synchronicity with his words. It's not transporting me anywhere it's keeping me right where I am, mouth slightly agape and headphones firmly planted around my cranium. The Cuphead trailer did a similar thing with its manic jazz soundtrack augmenting the frenetic visuals of its gameplay.Īnd then there was Metal Gear Solid V and its use of "Elegia" by New Order as the background music to a grandiose narrative about rebooting the entire world. The Fallout 4 announcement immediately transported me back into the retro-futuristic universe of Pip-Boys with a few simple chords from a kitchen radio. Retrieved 23 September 2015.E3 is the world's biggest celebration of video games, but this year it was all about the audio for me. Metal Gear Wiki is a comprehensive database focusing on the Metal Gear video.
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These were done by series veteran Donna Burke. Listen to Quiets Theme (From Metal Gear Solid V: Phantom Pain)Cover Version MP3 Song by LOrchestra Cinematique from the album Soundtrack Highlights. It featured the tracks Sins of the Father and Quiet's Theme from The Phantom Pain, as well as various new renditions of tracks from previous games redone in the style of The Phantom Pain. Along with it, a separate album titled Metal Gear Vocal Tracks was released on the same day. However, because of licensing issues, the soundtracks' licensed songs are missing from the digital versions. The album was released on CD, as well as iTunes and. The fifth and also last Metal Gear Solid, directed by Hideo Kojima, aims to fill in the blanks in Big Boss’ story (Snake Eater, Venom Snake), whom fate has cruelly dealt with and sent to the mountainous, sandy land of Afghanistan and tropical Africa. The extended soundtrack also contains music from "Ground Zeroes". Several talented composers have worked on the music for Metal Gear Solid V: Phantom Pain. Ī second volume of the game's score was released exclusively on iTunes on December 24th, 2015, titled "Metal Gear Solid V Extended Soundtrack." The album contains over 5 hours and 45 minutes of previously unreleased music. Recording took place in Los Angeles, Nashville and Santa Barbara. The song supposedly is a metaphor not only for the The Phantom Pain, but the entire Metal Gear Saga: "For this game we have a couple of keywords: race and revenge, and… unfortunately I cannot at this point tell you everything, but there’s a lot of metaphors in the lyrics that have to do with the game, and the whole Metal Gear Saga, pretty much." Forssell said. Forssell himself provided the vocals during development. In an interview with lead composer Ludvig Forssell, it was revealed that there were over eight different versions of Sins of the Father made just for the trailer, on top of the various previous renditions. In July 2015, Rika Muranaka told Fragged Nation in an interview that over 30 commissioned songs were never used, thus playing part in Konami's budget concerns over the Metal Gear Solid V project. However, unlike previous titles, his involvement during the composing process was minimal, with him ultimately only composing two tracks for Ground Zeroes. The soundtrack was produced by Harry Gregson-Williams, making it his fourth Metal Gear title.